B.M. Barbeito |
For Shirin
I try to interpret
the messages from when we first met
To predict where it
is that we will find ourselves at the beginning of dawn
I don't discover
many conceits except that maybe
you are the clay
bird-bath my old landlord once
Placed at the
corner of the terrace wall & forgot all about it
(For pigeons to
cool themselves and drink from)
I guess someone
created you to watch over dilapidated medieval architecture-
The queerest patron
saint of k-pop and chai-points in the nooks of vijaynagar
Sometimes we walk
till we reach the edge of our worlds
And there's nowhere
left to go
Each person must
either be a prison or an island
Always there exists
a casus belli
The slightest hint
of a century-old rain.
Blue flowers have
sprouted quietly from the spots where our bodies have accidentally touched
You can't talk
about poverty/poetry, you can only live it
I draw concentric
circles to mark my possessions
You never admit to
being in places other than your home.
An Autobiography
Mail trains have
followed me to this place
Where I live as a
paying guest,
Although I do not
hand over currency notes
The first of every
month.
I pay in a slow
erosion of whatever is left
Of my faith. I have
dug too much sand
Looking for
seashells and tiny pearls:
I bring back home
whatever I find.
Friends whom I do
not understand
Keep visiting me,
gesticulating and cheering
I sometimes wish
they left soon
My relationships
are painted
with the same hazy
stripes, but
It doesn't fade
even after a thousand washes
My love is the heat
from brick-kilns
It creates only
when it glows blue
People have made me
wary of grand ideas,
all-enclosing
ideologies. I do not use them,
I do not trust
them.
I am writing my
autobiography
With a shrunken
vocabulary :
The words that
recur are
caste, caste,
caste.
About Lynching
Since I've just
seen twenty-three years of life
I'd like to ask
those who are older about facts regarding a certain important issue
I'd like to know when they were the same age as I am now,
Did they too
witness a lull enveloping the streets
Just before another
lynching was orchestrated?
Bruegel The Elder
did paint a man drowning with others watching,
going leisurely
around with their work,
Not paying heed.
Is
it the same when a chosen person is killed by an angry mob?
Raja Ravi Varma
never used saffron colors to depict a Hindu god
baying for the
blood of the innocent.
Surely, he was
unlucky he never got the inspiration to depict the act on canvas?
I wish someone had
written, just for reference-
"About
lynching, they were never wrong, the Old Masters..."
No comments:
Post a Comment