Painting by Emile Bernard (Wikimedia Commons)
My MIL’s Address Book
Archana heads the list.
Her number doesn’t though
It finds a place, under S - her nickname
Her Doctors - Murlidhar and Gauri
Are mentioned under their respective capitals
Being decades older than them
She feels she owes them no appellative
I look in vain for my name among the Ls
I find it elsewhere, below her son’s name
And then, there’s Bhag Diwan
Her late husband’s late sister
Less than a year ago, she was at the other end of the phone
Now a barbed wire crosses out her name in the book
Replaced tidily, by the name of the son
Who lives at that address now
Portraits
On the Metro’s Purple Line
Tired even on a Sunday
Faces from an Eisenstein deck
Van Gogh’s farm workers
Now driven from the Land
One in particular, a figure all in white dust
Two days worth of paint in a day
Dead tired, half dazed.
I look. And look away, too late
He has seen, that I have seen
Safedi walla, house painter in white
Like Michelangelo in marble dust
Brothers under the skin
Or rather, above it.
Showstopper
The lone shiuli wonders
Why it’s been singled out
Not in the little basket
With the rest of its kin
Not cognisant at all
With the perils of the spotlight
Of how loneliness colours that terrain
Even if the photograph
That is being taken
Is only for a friend
Homesick for the shiuli season
And much else, unsaid
Anda Bhurji
JNU on a rainy evening
We look about us
When last, did we students from DU
See a forest glisten?
Against a conversable twilight
We unfurl shyly
In a sizzling pan, random kindness
Meets surprised enjoyment
Not so, do you expect
A Menshevik tutorial
After hours, to go
Bandicoot Tunnels
The garden is a warren
Each morning shows newer dugouts
Strategic bunkers for rodent war
Or is it just a nightly commute?
Put in a beer bottle or two
I’m advised. Glass keeps them out
Oh a teetotaler rat, I think
My mind off-kilter as usual
It’s a neat, punctuated row
Along the garden wall
I navigate, in mind's eye
The hundred-plus tunnels
On the Kalka Shimla line
That too, is narrow gauge
Bio: Lina Krishnan has worked two decades in communications. She has phases of immersion in art, then poetry. She also writes notes on cinema. She lives in Auroville, India.
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