The Two Beloveds of Janus
Janus stands in the balcony with the two
beloveds. The first one, who is standing on the right side, is a bit
distant—six feet distance. One face of Janus is looking at the beloved with
certain pain. Janus’ lips are wet. Janus can still feel the beloved’s teeth on
the lips. The beloved was one with Janus. The lips remain wet. They never dry
up. Janus’ right hands are draught, and they run over the right lips, and yet
those lips do not dry up. As if the teeth are still on the lips. That they are
gripping Janus like a tiger, but the tiger Janus thinks of has dual aspects.
Those teeth grip Janus’ lips like a cub and like hunted prey. Janus struggles,
and the lips do not dry.
The other
beloved, the one who stands to the left, is closer to Janus. The other face of
Janus is looking at the beloved with a dry hope. The beloved is to approach the
lips of Janus. The beloved is to kiss Janus. Janus can almost sense the breath
of beloved. The beloved has nearly arrived. But the lips remain dry. The lips
are never teethed. Janus wills to lip the other beloved, but the beloved
remains close. So close that Janus cannot touch the beloved. Janus cannot move.
Janus asks the other beloved to move. The beloved does move but, like the
Achilles of Zeno, never reaches Janus’ lips. The beloved is always to arrive
but never really arrives. The tiger is absent. Cub is still a possibility. Prey
is still to walk. Janus’ right hands are rivers, they run over the right lips,
and yet they remain dry.
Janus’ lips are
wet and dry. Janus wants them dry and wet. Janus cannot move. Janus’ right
hands want to reach the left lips, and the left hands want to reach the right
lips. Janus, like a door, is a house and not a house. Janus’ draught hands run
over wet lips; Janus’ river hands run over dry lips. Janus never is.
Inside the room, the evening appeared through
curtains in golden hair. The boy who seemed no more than ten was reading a
book. It was the book, which seemed odder than the other objects. The inside
walls had cracks and resembled the crooked legs 0f a spider. If one opened the
room at night, it might have seemed to be the inside of a belly. The boy was
reading, and with a gentle caressing, the last rays left the room. With a yawn,
he closed the book and went to the adjacent balcony. There were boats, a river,
a few people and the stones─those
eternal stones─adamant and
confined.
He gazed into the horizon. A sharp,
attentive gaze, as if he penetrated the present─ that ungraspable moment when it is not evening or
night. As if, he stood at the liminal. He came back and opened the book. The
book seemed thicker than before. He looked at the pages and numbers on pages
and pictures on the number of pages. He carried it in his hand and weighed it
for a while. The transformation was remarkable. After reading not more than a
single unified moment, the yawn returned to his mouth. And he slept, or there
was a hint of slumber on his face.
There was the churning of the ocean, there
the tortoiseーa dancing god becoming
a dance. In dance was birthed a sleeping god. From the navel of that sleeping
god came a god who would speak the Word. From the Word came words and words
became the first lilies. From lilies came the first cloud. From the first cloud
appeared two lips. Two lips kissed, and the world appeared. The burning stars
became flesh and talked like immortals. He saw the first men marrying rivers.
He saw a man’s sperm carried by a bird. He saw the quasars hovering on a
forehead. He saw the colours which were to be invented. He saw a boy asking an
old poet with butterfly-beard what the grass is.
Slow walked the moon over his face.
Gentle budded his eyes. There was the bookーcomposing
pages. The boy gazed at his skin and chest hair. He stared at the ceiling like
the dreams of a migrated man.
He went to the balcony. There were no
boats. No river. The stones vanished from their eternal realm. Pure mercuric
constellations in oscillation.
He snatched one of the stars and kept it
in his left pocket.
The Insider
That what awakes
in the gentle breath
and awaits in the
next room.
The incessant
need to touch one hand with the other
to keep the real,
real.
What melancholy
does the silence preach?
The One that is a
stranger, It that lives within me
I have known it
as the memory of my village,
the cactus and
hibiscus of my memory.
What way, in what
cave can I find the real darkness
where that
obscurely familiar void does not follow me?
Perhaps, like
others, it loves and in loving
allows itself to
torment me.
I had seen it
when there was no one,
my mother would
sleep on the terrace
grandfather
lulling himself with a thin hand-fan
and the house,
turning so silent
as if a torrent
was to arrive.
Keeping my head
on one of my hands
I saw in pages
escapes
but it arrived
like a companion with whom
you have shared
strange tales.
You still do not
know what to do with it.
You cannot even
give it an attribute.
It comes with
nakedness one often finds
in the solemn
music played
at the heart of a
perilous tragedy.
You do not
understand if it is verily you
Or it is you who
looks at it.
It has a
semblance with those old-healed wounds
with no
sensation, un-fleshy
it senses you
like ashes sense the last fire.
You sit calm, a
sea happens and then comes
a vortex of
undulating wind
and like
creepers, it grows from the chest
you see it coming
out of your navel
two black
branches crawl out of your nose
your eyes are its
leaves, your mouth
excretes an
ambiguous silence.
You hear ice on
your skin like a sinking ship
you do not move,
it emanates
as the birth of a
flower out of a dead insect
your body is
empty of organs
you smell the
stem growing between your thighs
snakes play on your back
you stir, and the birds fly out of your sockets.
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