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The
man on the radio says, today we should ask our friends the open-ended question;
'So
what was it like?'
It was like a sonic
boom with the sound turned off. It was like a puffed
up robin shivering in a
tree. It was like nothing we’d seen before. It was
everything we never
expected it to be. It was not it but something else.
The something we were
searching for. The something that felt like being
lost; lost in someone’s
voice, lost in between the molecules that make up
the air we breathe. The
something that became it; the something that got
our skin to tingle, our
stomachs to churn and our mouths to go bone dry.
It makes us hard and
wet; it makes us want need desire yearn. Go ahead.
Tell us what it feels
like.
The
man on the radio says this next song is for you
as if he knows you. As
if he saw you in the front yard
in a worn pair of
jeans, dirt on your hands planting for
spring. As if you slept
next to him in nothing but an old
t-shirt, one leg
wrapped around the bedspread. Does he
know the scar on your
back, does he remember the day
your mother died; how
you love to make up backstories
for people you see on
the street. I try to recall the last
time we met. I try to
remember the sound of your voice,
the curve of your jaw;
I’ll try to find you, left of the dial.
The
man on the radio laughs because the man on the radio fucks a model too
If this were a
screenplay there would be a slight break in the action;
time for a little
narrative exposition. Time to make the scene some-
thing right out of a
movie; complete with neo-noir dialogue, a verite’
look and killer
soundtrack. If this were anything but what it really is
it might not be
artificial; it would be colored inside the lines, names
redacted. This is the
last leg we will stand on before the credits roll
us over: Me wondering
where the hell I went; you, all blearing eyed
and wet, waiting for
another chance to reshoot the final scene.
The
man on the radio says it is a beautiful night out there
It’s a square room.
There’s always more to the picture than meets
the story; more to a
smile than glossy lips, intentionally exposed
bra straps and ice-cold
fresh wet martinis. We imagine there are
corners; rounded, sharp
or hidden. We imagine blind intersections,
imagine the person next
to us making small talk knows when to hit
the brakes. We hit the
skids, we circle the square room. Find where
we’re made; who we’re
made to make it with. Imagine a slow wind
crashes the party,
imagine we don’t want to get lucky; that we mint
our own luck. Imagine
there’s more to our story than this picture.
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